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Logic pro x compressor plugin free
If you use Airwindows plugins regularly, join the conversation in the comments section and let us know which one should be featured on the page. A big thank you goes to our reader Michele for suggesting Airwindows in the first place.
Also, thanks to readers Caleb and Mark for sharing their thoughts about Airwindows compressor plugins. More info: Airwindows. Do you know of any other compressor VST plugin that should be included in the article? Leave a comment to let us know! Tomislav is a content creator and sound designer from Belgrade, Serbia. He is also the founder and editor-in-chief here at Bedroom Producers Blog. Buttercomp2 is a favourite for very transparent compression, and Pressure4 is my go to for re-sculpting that muiness control is incredibly powerful.
Copy that! I always forget to mention Airwindows plugins somehow. If you can suggest a single compressor that stands out from the rest, I can add that, too. Pop, Buttercomp 2, and Logical are all great, but they each have a characteristic sound that makes them shine in specific use-cases. Pressure4 is more well-rounded. Thanks, everyone!
I will feature Pressure4 as the top pick in the Airwindows section. Downloading it right now to review. That and Pop are my 2 most used Airwindows compressors because they sound amazing just slapping them on a channel. Pyewacket gives instant volume smoothing with a vintage style. Indeed, that one is quite new and it looks rather interesting. Thanks for the suggestion! Analog Obsession. To my taste they are the best. Lets also keep in mind that not all of AO stuff is good.
Some are obviously not finished, like missing VU functions even they are display like a pic which then does nothing. Some have aliasing in a bad way. On the other hand there are really good ones there too. So a BPD review sorting out the bad apples and making it a bit more easy to navigate through the whole Analog Obsession Garden would be a really great idea.
If Tomislav has the time to do so, of course? Interesting thought, but I think that Limiter No. Thanks for your time! Hey there! It will also introduce some latency, depending on the look-ahead time. I hope that helps. As for the release parameter in DCAM Freecomp, I believe it operates in auto-release mode and adapts to the processed signal automatically.
Awesome, thanks! The information is much appreciated : Your blog is a lifesaver, thanks, have a good one! I tested it at least 6 or 7 times in different DAWs. Literally every time I came to the same conclusion. Something is way off about it. A simple test will reveal what I mean. Record audio to another track. In between recordings leave around 10 seconds for the compressor to go back to default setting i.
Especially when you have it set to monitor gain reduction. Then look closely at recorded waveforms. They will be different. Yes these ones are still just 32bit, but worth getting J-Bridge for.
VoS are THE best! Thanks for reminding me! IMO S. Thanks for your comment! I will also relegate NightShine down to the honorable mentions section and add a couple of other excellent compressor plugins.
Thanks for this excellent list of freeware compressor plugins. I thought they were hard to use. Thankfully, this post helps me better understand how to use them. Great job! Save my name, email, and website in this browser for the next time I comment. Featured December 9, December 9, 0.
Share this article. Michele on February 21, pm. Airwindows compressors are glorious: Pressure, Logical, Pop, and Buttercomp2. Mark on February 21, pm. Yeah, I was gonna shout out airwindows. Loads of great compressors. Buttercomp2 is a favourite for very transparent compression, and Pressure4 is my go to for re-sculpting that muiness control is incredibly powerful Reply. Rodrigo on February 21, pm. Tomislav Zlatic on February 21, pm.
Michele on February 22, am. Caleb on February 24, am. Tomislav Zlatic on February 24, am. Christopher M. AnalogusPromtus on February 21, pm. Tomislav Tunca from Analog Obsession just put up all of his stuff as Donationware. Synthiemental on February 21, pm.
Has forward and feedback modes! Hello Mjucr???? Tomislav Zlatic on February 24, pm. Bogdan Sinchenko on February 22, am. DenyT on February 22, am. On it, testing! AnalogusPromtus on February 22, pm.
Testing several AO plugins at the moment. Limiter No. The synthesis engine features three analog-modeled and wavetable oscillators, as well as dual multimode analog resonant filters and extensive modulation options. Go for analog tones like earthshaking bass, textures, screaming leads, sweeping pads, and sawtooth waves.
Or use distinctive digital sounds like bells, plucky bass, and brash leads. Play authentically re-created models of the Hammond B3 organ, the Mellotron, the Hohner Clavinet D6, and the Fender Rhodes, Wurlitzer, and Hohner electric pianos — with all the character and quirks of the originals. The Arpeggiator transforms simple chords into elaborate performances. Go with professionally designed presets, or shape the evolving performance by adjusting the rate, note order, and octave range of the notes.
And add swing to help the Arpeggiator groove with the feel of your song. Scale velocity, generate a rapid-fire series of notes, transpose incoming notes or conform them to a scale, and more. Watch the arpeggiator demo. Sculpture is a unique physical modeling instrument that produces tones no other synthesizer can. By re-creating the sound of vibrating materials like wood, glass, nylon, or metal, it generates uncommon and creative variations of strings, bells, chimes, and other instruments.
You can change the virtual body of the instrument to everything from guitar to cello, flute, and more. Control how the instrument is plucked, bowed, or otherwise played.
A deep set of modulation parameters produce movement and evolving textures. Use plug-ins to help you perfect or manipulate the color and personality of your tracks. Bring DJ-style effects and transitions to your tracks with a collection of stutters, echoes, filters, vinyl scratches and stops, reverse playback sounds, bit crushes, and gating effects. When you connect Logic Remote, you can use the power of Multi-Touch to manipulate up to seven effects at once.
ChromaVerb is a high-end reverb plug-in that uses unique modeling to reproduce both natural and otherworldly acoustic spaces. It features 14 different models with tempo-synced parameters, up to seconds of decay, and a colorful visual spectrum that provides meaningful feedback so you can see how reverb complements your tracks. The Vintage EQ collection brings authentic re-creations of three of the most revered analog hardware EQs, with support for mono and stereo and control over analog saturation and heat.
Add rhythmic movement to any track by arranging filters, effects, and independent step sequencers to create and control a wide range of treatments over time. Eight different effects can be organized in any order to tailor diverse sound-design options to your needs.
The powerful Compressor features a fully scalable interface inspired by the look and feel of legendary studio favorites. Seven models provide a wealth of options. And the Histogram Meter view lets you instantly see the results of your parameters, controls, and knob movements. Add punch and presence to your bass, drums, synths, and guitar with this powerful multi-effect plug-in.
Seven effect blocks, including distortion, modulation, and bandpass filters, can be combined to dial up a range of sonic colors in your tracks — from mild sheen to thick, bass-heavy distortion. Versatile, scalable multiband EQ includes eight bands: highpass, lowpass, low and high shelving filters, and four flexible parametric filters. The frequency analyzer provides a graphical look at your sound so you can quickly zero in on refining your performances.
Choose from over included IR samples or create and edit your own. An intuitive hands-on graphic interface and the unique ability to synthesize dense reverbs make Space Designer equally suited to both sound design and music production.
Ringshifter combines a ring modulator with a frequency shifter effect in a clear, compact interface. The ring modulator mode adds a metallic or clangorous sound and the frequency shifter alters the frequency relationship of the original harmonics, resulting in sounds that range from sweet and spacious phasing effects to robot-like timbres.
Re-create legendary sounds and craft your own unique tones by mixing and matching 25 amp heads, five EQs, 10 reverbs, 25 speaker cabinets, and seven mics that you can position freely around the speaker cone.
Classic American silverface and blackface combos. A full range of British stacks and combos. Ultra-high-gain metal stacks. And even rare amps that would be hard to find in the real world. Experiment with classic delays, echoes, and reverbs.
Run your signal through some of the most coveted overdrives and distortions. Try out dynamic pitch transposition or dive-bomb effects. Choose from all your favorite choruses, flangers, tremolos, and other must-have modulation boxes.
Or turn up the funk with vintage and modern wahs or an octaver. The Pedalboard interface makes it easy to reorder and swap your pedals and to creatively route your signal for thousands of combinations and virtually unlimited sounds. Lay down an amazing bass track with dead-on models of three vintage and modern bass amps and cabinets.
To get the perfect tone, switch between two types of input channels. Swap out cabinets and amps. Position one of three mics on different speaker cones. Or blend between amp and DI box signals, just like in the studio. You can also use graphic or parametric EQs to fit the bass in your mix. And easily level performance dynamics or sustain with a compressor before or after the EQ. The library is filled with modern synth sounds created with powerful instrument plug-ins like Alchemy and Sculpture.
Electronic musicians, enjoy your choice of pulse-pounding bass, stabbing synth leads, and pumping pads. The library offers a wide selection of pristine, dynamic-sampled acoustic Patches, including pop and classical pianos, fretted instruments, world instruments, and sounds from every section of the orchestra.
Add texture and color to your tracks with a wealth of ever-evolving and richly layered Patches. The Logic Pro Sound Library is perfectly suited for creating a soundtrack that evokes just the right environment or emotion.
Add more to your music compositions with an ever-expanding variety of themed sound packs containing loops, presets, patches, Drum Machine Designer kits, and Live Loops grids. Ignite your creativity with a massive collection of instruments, loops, and samples — with newly added sounds created by some of the biggest producers in the world.
Logic Pro. Buy Logic Pro. Plug-ins and Sounds Logic Pro gives you a massive collection of plug-ins and sounds to fuel your creativity. Instruments Effects Sound Library. New Spatial Audio Create professional spatial audio mixes using enhanced surround plug-ins that add depth and movement to your tracks. Instruments Create amazing sounds using authentic re-creations of vintage equipment, powerful modern synthesizers, and complex multisampled instruments.
Quick Sampler Quick Sampler is a fast and easy way to work with a single sample. Looping Slicing Live Sampling. Auto Sampler Auto Sampler lets you save hours by easily creating fully playable sampler instruments from hardware instruments, other software instruments, and effect plug-ins.
Drum Synth This powerful but easy-to-use plug-in creates synthesized drum sounds. Drum Machine Designer Redesigned to be more intuitive and integrated, Drum Machine Designer lets you effortlessly build electronic drum kits. Studio Kit Studio Kit. Brooklyn Kit Brooklyn Kit.
Alchemy Alchemy, the ultimate sample-manipulation synthesizer, is the most powerful instrument in Logic Pro. Fantasy Detroit Reflections Skyline Ascend. Studio Strings and Studio Brass These two realistic plug-in instruments feature sophisticated articulation controls. ES2 A versatile synthesizer that delivers sounds ranging from classic analog to modern digital.
Retro Synth Retro Synth. Vintage Keyboards Play authentically re-created models of the Hammond B3 organ, the Mellotron, the Hohner Clavinet D6, and the Fender Rhodes, Wurlitzer, and Hohner electric pianos — with all the character and quirks of the originals. Vintage Mellotron Mellotron Mellotron.
Alien Language Alien Language. Bleep City Bleep City. Spacey Spacey. Classic Analog Classic Analog. Sculpture Sculpture is a unique physical modeling instrument that produces tones no other synthesizer can. Effects Use plug-ins to help you perfect or manipulate the color and personality of your tracks. Remix FX Bring DJ-style effects and transitions to your tracks with a collection of stutters, echoes, filters, vinyl scratches and stops, reverse playback sounds, bit crushes, and gating effects.
ChromaVerb ChromaVerb is a high-end reverb plug-in that uses unique modeling to reproduce both natural and otherworldly acoustic spaces. Night Lights Night Lights. Almost Time Almost Time.
Endless Highways Endless Highways. Vintage EQ Collection The Vintage EQ collection brings authentic re-creations of three of the most revered analog hardware EQs, with support for mono and stereo and control over analog saturation and heat. Vintage Graphic EQ. Vintage Tube EQ. Vintage Console EQ. Step FX Add rhythmic movement to any track by arranging filters, effects, and independent step sequencers to create and control a wide range of treatments over time.
Autonomous Flight Autonomous Flight. Transformation Transformation. Random Voltage Random Voltage. Backyard Party Backyard Party.
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Logic pro x compressor plugin free
Add texture and color to your tracks with a wealth of ever-evolving and richly layered Patches. The Freecomp features DCAM circuit modelling technology and comes with a simple to use interface with standard compressor parameters and is really effective at adding colouration to your sound. It glues together subgroups in your mix. I thought they were hard to use. Transformative Effect Transformative Effect. Tech House Tech House.❿
Our Best Content – Logic pro x compressor plugin free
It gives you control over thresh, ratio, knee, attack, release, and gain, just as a standard compressor would. And we are big fans of this concept. SAFECompressor also gives you the ability to save your own presets.
Their other plugins work much the same way. That makes it relatively easy to use, although there is a downside more on that in a moment. Download: eaReckon. Its interface is a little old school, and while it might have been something to behold in its time, today it just looks like a bunch of thrown together Photoshop layer style presets.
Matthieu Brucher was obviously a prolific guy. Not content to create one compressor, he also created the ATKColoredCompressor, which is a mono compressor.
Again, it features kind of a bland design, but what we can tell from its name is that its meant to emulate old analog and tube compressors with a bit of unique coloration.
Analog Obsession is another prolific creator, and their plugins are almost universally loved by music producers and sound engineers. BUSTERse is intended as a classic console compressor with some extra filter and transient sidechain options. The stereo compressor module is made up of threshold, make-up, attack, release, ratio, and mix controls. Relatively standard stuff. Its user interface is quite nice. We like their font choice and minimal but semi-realistic design.
No complaints here. It works great on tracks and busses, and it can give you warm saturation if you crank it up. Its interface is fine. In all this is a very handy tool both for mastering and creating custom dynamics.
The first of two TDR plugins in our roundup, Kotelnikov is a mastering compressor with some nifty advanced tools that mean it can adapt easily to a variety of uses. The main controls here are limited to just input and output level dials — simply crank the former until the compressor engages as desired, then adjust the resulting levels with the latter.
There are four additional settings that add extra flexibility, though. Relaxed, meanwhile, switches between Peak and RMS mode, while Dual Mono mode treats the left and right channels individually.
Most interesting is Negative mode, engaging negative ratios for more extreme pumping response. Despite the simplicity, DC1A is packed with winning sonic character and is a great tool for adding an element of faux-analogue to tracks in your DAW. It can add a lovely hint of saturation too, which is great for subtle harmonic enhancement of mid and high frequencies.
While the main controls are fairly standard fare, Molotok offers flexibility in the form of 11 distinct compression algorithms. Most interesting is Negative mode, engaging negative ratios for more extreme pumping response. Despite the simplicity, DC1A is packed with winning sonic character and is a great tool for adding an element of faux-analogue to tracks in your DAW. It can add a lovely hint of saturation too, which is great for subtle harmonic enhancement of mid and high frequencies.
While the main controls are fairly standard fare, Molotok offers flexibility in the form of 11 distinct compression algorithms. These get progressively more aggressive as they go, ranging from a subtle and transparent squash up to characterful, heavy compression. As a result, Molotok can successfully turn its hand to a range of mixing tasks, from adding punch to drums to beefing up thin instrument recordings.
Clear metering and a user-friendly interface make this a nicely approachable plugin, too. First released back in , FreeComp remains one of the most popular freeware plugins on the web. As its name would suggest OTT, from Serum developer Xfer, is not a plugin generally associated with subtlety. Add them to your toolkit today and compress your way to success: 1. Change the settings for a more extreme creative effect. A dream right? Be a Comp Champ Stock up on these compressors and build a killer virtual effects rack.
Testing lots of compressors and finding the perfect ones for each mixing situation is key. So download this list, try them out and keep your favorites close. You’ll like that too. Music Gear. The strangeness of this plugin comes from the first 2 functions.
The attenuation function, although seemingly meant to control the amount of attenuation, is make-up gain. Release and threshold work as expected with the release function ranging from a very quick to very slow setting, and the threshold behaving as a typical threshold would. Power is simply a bypass function whereas oversampling introduces filtering to alleviate any aliasing and intermodulation distortion. Also, the release affects the amplitude of the harmonics generated, with a quick-release resulting in the loudest harmonics, and a slow-release resulting in the quietest.
This allows you to really get some character out of your compression and makes the YALA compressor a fantastic option for parallel compression and bus compression. The ClipShifter is different than most compression or limiting plugins. Whereas most compression plugins or plugins in general really attempt to avoid clipping distortion, Clip Shifter utilizes it as a creative tool.
Although this seems to go against how audio should be processed, the clipping generated by this compressor can come in handy or be used creatively. The compression-Esque functions of this plugin include:. The Initial function determines the point at which the compressor will begin to clip the signal, whereas the End function determines the final amplitude of the clipped signal.
Although this plugin is a bit unorthodox, it can be thought of like a compressor that instead of simply attenuating the signal, attenuates the signal with clipping distortion.
With that said, the greater the attenuation, the greater the amplitude of the distortion. This plugin may not be a go-to choice for traditional compression, but it does offer a unique form of processing that can be used creatively. Another unique entry on this list, Couture by Auburn Sounds offers a way to affect the ADSR of a signal and to perform compression and transient shaping independent of that transients amplitude.
When using the main transient shaping functions, you can either compress the transient and amplify the sustain and release of the signal, or you can amplify the transient and compress the sustain and release.
The detection setting you choose also determines what transients get boosted or cut, depending on the frequency of that transient. One of the simpler plugins on this list, the DC1A by Klanghelm only utilizes two rotaries — or at least this is how it appears at first.
It is true that you can use this plugin in its most simple form — that is increasing the input to cause compression, you can also create some nuanced effects using its additional functionality.
Deep, Relaxed, Dual Mono, and Negative buttons at the bottom can be used to significantly affect the sound of your compression.
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